Editorial Work

In addition to project managing and editing publications, Matt Price often contributes to editorial teams, providing services ranging from substantive editing and copy editing to sub-editing and proofreading. With extensive experience of transcribing interviews, talks, workshops and conferences, he has worked for clients including Hans Ulrich Obrist, the Centre for Contemporary Art, Kitakyushu, Manchester International Festival, Rizzoli and Heni Publishing on transcripts for artists and other creatives including Marina Abramovic, Matthew Barney, Maurizio Cattelan, Gilbert & George, Rem Koolhaas, Paul McCarthy, Yoko Ono, Gabriel Orozco, Nancy Spero and Lawrence Weiner.

He has worked in various capacities on publications including Varda Caivano – The Density of the Actions for the Renaissance Society, Chicago, David Chipperfield Architects for Thames & Hudson / Walther Koenig, Damien Hirst’s In the Darkest Hour There May be Light for the Serpentine Gallery, Louis Vuitton/Marc Jacobs for Rizzoli, Valentino – Master of Couture for Somerset House and Rizzoli, and September – A History Painting by Gerhard Richter for Tate Publishing.